tedfletcher.co.uk valuation and analysis

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Title Ted
Description Ted Fletcher, Electronics designer and
Keywords N/A
Server Information
WebSite tedfletcher favicontedfletcher.co.uk
Host IP 82.113.145.119
Location United Kingdom
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tedfletcher.co.uk Valuation
US$1,124
Last updated: 2023-05-18 06:55:43

tedfletcher.co.uk has Semrush global rank of 0. tedfletcher.co.uk has an estimated worth of US$ 1,124, based on its estimated Ads revenue. tedfletcher.co.uk receives approximately 129 unique visitors each day. Its web server is located in United Kingdom, with IP address 82.113.145.119. According to SiteAdvisor, tedfletcher.co.uk is safe to visit.

Traffic & Worth Estimates
Purchase/Sale Value US$1,124
Daily Ads Revenue US$1
Monthly Ads Revenue US$31
Yearly Ads Revenue US$373
Daily Unique Visitors 8
Note: All traffic and earnings values are estimates.
DNS Records
Host Type TTL Data
tedfletcher.co.uk. A 7199 IP: 82.113.145.119
tedfletcher.co.uk. NS 21600 NS Record: ns0.phase8.net.
tedfletcher.co.uk. NS 21600 NS Record: ns2.phase8.net.
tedfletcher.co.uk. NS 21600 NS Record: ns1.phase8.net.
tedfletcher.co.uk. MX 21600 MX Record: 20 mail.tedfletcher.co.uk.
HtmlToTextCheckTime:2023-05-18 06:55:43
Ted Fletcher Electronics designer & inventor. See orbitsound.com for the remarkable range of spatial stereo products using Ted’s patented technology. See tfpro.com for Ted’s designed professional studio equipment. Ted Fletcher, December 2014 airSOUND explained At the beginning of the 21st century, the listening world is dominated by modern day ‘flat-earthers’. History Samuel Shenton, (president of the flat earth society until his death in 1971) a branch of his family ran the leather goods shop in Holloway Road in London where the apartment above was a recording studio rented to Joe Meek! Sound, like the flat earth, is obvious and easy to understand (!) It ‘stands to reason’ that the world is flat and that as we have two ears, to hear recorded sound properly, we need two loudspeakers. This was so obvious to physicists and workers in sound technology that no-one thought to challenge the idea. Early workers in positional sound for films (including Ray Dolby) accepted the basic idea that
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